Finally, I argue that Forster recasts modern English society by symbolically purifying it from homophobia through the image of Italy as both a Gothic dungeon and a tourist attraction. Woolf's theory and practice of the novel extends crucial elements of the Gothic sublime shared by earlier sensation fiction and by nineteenth-century psychiatric methods of diagnosis. style became a popular aesthetic and literary trend, peaking in its. I show that Lawrence employs a Gothic tropology of electricity in his modernist notion of blood consciousness. the gothic permeates american literature at every level, including high-, middle. ![]() I argue that, faced with the xenophobic milieu of pre-War English society, Conrad seeks to refashion his ethnic Polish identity by adopting the Gothic logic of the fin-de-siècle British spy novel. Each set illustrates the double-faced nature of Gothic modernism-that is, its simultaneous attention to social renewal and cultural nostalgia. The etymology of the word 'Gothic' is from the French gothique and in Latin, Gothi, which means 'not classical. These sets of issues constellate the central argument for the four main chapters of my dissertation. The picture of modernism suggested by these authors presents multiple perspectives on thematically disparate yet culturally intertwined issues such as ethnicity and espionage, consciousness and electricity, formalism and sensation, and homosexuality and tourism. These writers depict cultural, political, and aesthetic dimensions of modernism not only by questioning the past but by drawing as well on a wealth of cultural material and precursor genres rooted in Gothic conventions. Particularly, it sheds new light upon the way in which Hardy’s first career as a Gothic draughtsman shapes his distinct Gothic art-principle.I analyze the persistence of Gothic conventions in the works of four major British modernist writers: Joseph Conrad, E. This essay not only strengthens the literary affinity between these two writers, but also contributes to the ongoing scholarly conversation about the intriguing relationship between Gothic architecture and Gothic literature. Hardy’s Gothic aesthetic is further complicated by the issue of architectural restoration, a corollary of his close involvement in the Gothic Revival during his architectural career. Poe’s Gothic vision is highly mechanical and inorganic, whereas Hardy’s work exhibits an interplay between mechanical constructiveness and organic spontaneity. At the same time, a marked difference exists between these two writers’ Gothic aesthetic. Rising along with the English novel during. But the story that joins them involves some strange convergences, all of them having to do with the idea of darkness. ![]() Author(s): Duygu zakn Subject(s): Aesthetics, Russian Literature. The historical origins of Gothic writing in the eighteenth century are simultaneously political and aesthetic. ![]() Both Poe’s and Hardy’s characters evince an ontological merging with Gothic architecture. SUBLIME AND UNCANNY AS FUNDAMENTAL CONCEPTS OF GOTHIC AESTHETICS IN RUSSIAN LITERATURE. The science of geometry provides an aesthetic template for the architectonics of these two literary works. He stands alone with his aesthetic taste and writing principle, engaged in the morbid theme of nightmare, death, crime and evil. History of the Gothic: Gothic Literature 1764-1824 on JSTOR This title offers a detailed yet accessible introduction to classic British Gothic literature and the popular sub-category of the Female Gothic designed for the. Through a comparative reading of Poe’s “The Fall of the House of Usher” (1839) and Hardy’s A Pair of Blue Eyes (1873), this essay argues that both writers have recourse to the aesthetic principles inherent in Gothic architecture to construct their literary Gothic. Edgar Allan Poe is one of the most unique writers in America. Yet the full scope of the affinity between Poe’s and Hardy’s Gothic sensibilities lies beyond their shared investment in Gothic trappings. This article examines the reception history of women-authored Gothic texts from the late eighteenth and early nineteenth century, arguing that the generic descriptor Female Gothic. Both writers, as some critics have argued, demonstrate a distinct flair for Gothic horror. Her poetry has been featured in The Projectionists Playground, The. The spectral presence of Edgar Allan Poe in Thomas Hardy’s works has been occasionally pointed out by critics that situate Hardy within the Gothic tradition. Elle Brown is a writer from Newcastle with a masters degree in Medieval Literature. IBR: International Bibliography of Book Reviews of Scholarly Literature on the Humanities and Social Sciences IBZ: International Bibliography of Periodical.
0 Comments
Leave a Reply. |